6 Impossible Things: #3 The Melancholy Piano
// March 26th, 2010 // 3 Comments » // creativity, creativity theory, curiosity, metaphor
Creativity is a non-linear process. We start out at Point A and end up at Point C, or Point Q, or any other point that happens to not be called Point B.
This is because, on the way from Point A to Point B , impossible things happen that steer us away from our original endpoint and onto fresher, shinier, more startling destinations.
This is not to say that there is anything wrong with Point B as a destination, just that the creative way to get there probably starts at Point W, or some other ‘non-A’ point.
Anyway the point is: a key feature of the creative life is that seemingly impossible things occur along the way that really kick things along, but only make sense in retrospect.
This is a series of posts presenting 6 impossible analogies for these ‘things’
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#3 The Melancholy Piano:
How do you deal with the unlimited options in front of you once you begin creating? How do you navigate doubt? Once you start, you’re pretty much on your own. Books, classes, exercises, can only take you so far.
If you rely on a paint by the numbers approach it’s not really creating, our task is to embrace uncertainty and allow constant flux and change to help draw out our truest responses.
A piano floats on the ocean’s surface. Cold water laps at the keyboard coaxing melancholy notes that drift above the water, while a woman dances precariously over the top of the piano. A bare foot slides over polished timber, one arm rises above her head, and she stops–mid-pirouette–to listen to the soft notes rising, feel the shifting surface beneath her. Her feet lift, change direction, and step lightly across the surface of the piano.
The woman, stuck on a piano in the middle of the ocean, makes a dance out of staying afloat. She does this by listening intently to the waves lapping on the keys, feeling the shifting water beneath the piano, and moving her body where it needs to go in the moment.
We too, can aim to engage fully with our materials, our surroundings, our state of mind and heart, to allow the creative process to draw out what most needs to be expressed.
Have you had moments where you were able to let go fully, and allow the creative impulse to rise up as you engaged with your artwork?









